Go Read 'Steal Like An Artist' by Austin Kleon

Looks as though we have the theme of stealing going for the month of May and this next post will be no expection. I finally purchased 'Steal Like An Artist: 10 Things Nobody Told You About Being Creative' by Austin KLeon and it was an extremely quick but helpful read. I've been wanting to read it for a while and with all this talk about originality of ideas and stealing artwork I was reminded of the books existence.

The basis of the book discusses how no ideas are original. Everything comes from somewhere and it is only when you can't figure out where all the reference points are that people are fooled into thinking it's new. This concept isn't completely unknown to me. Back when I took a script writing class in university this was one of the first things our teacher told us. His words where closer to "don't try to wrack your brain for some that has never been done because everything has already been done before you. There are no new ideas so you may as well do what you want!" It can be quite a freeing and comforting thought if you let it. I with that thought I wrote a script that probably wouldn't be fit for a soap opera or channel 5 afternoon movie. Let's just say creative writing isn't where I was destined to go but at least the thought helped me get the job done. 

'Steal Like An Artist' in many ways reminds me of a more bizesize version of Elizabeth Gilbert's 'Big Magic' which I have previously raved about here. Both books cross over in many ways but I feel Kleon's book is more concentrated on the steps of how to become more creative whereas Gilbert questions creativity as a whole and is more anecdotally driven. I love both books for there own qualities but Kleon's book is definitely more suited for those who are itching to get stuff done more immediately. 

Some of the points that really resonated with me in the book where surrounding the chapter "Don't wait until you know who you are to get started". I know have been quite intimitated by the thought of creating personal artworks that represent me when sometimes I have felt I don't even have a firm grip on who I am. But quite rightly KLeon says that it's in the act of making work that we figure out who we are. Part of me wishes that one day I was going to have an epic epiphany and sing at the top of my lungs "I AM HHHHAAAZZZEELLLLLLLLLL!" in the style of Moana, without having to put any actual effort. I'm not exactly great at starting things. So when he touched on imposters syndrome in relation to all of this I felt like screaming "ME!" 

He also talked about stepping away from technology in order to be more hands on and uses technology for finishing work instead of doing it which is something I can definitely relate to. While writing essays at university I found it incredibily hard to sit at a computer and just churn it out. I didn't feel any connection to what I was writing and it usually turned into a bunch of waffle to make up the word count. Eventually I figured out the only way I could actually work on essays was if I split the work up so that most of time I was figuring out my layout, wording and references with paper and pen. Only when I had a better idea of what I was going to say could I step over to the computer and type it up. 

There are tons more things I could talk about from the book but then I might be verging on bad theft. All in all I really liked the book. It practices what it preaches and is filled with great quotes from other creatives and has a ton of great diagrams and drawings. It was a breeze to read yet it has plenty of substance. My favourite kind of book. Highly recommend it!

Hazel, xoxo

The Murky Copyright Waters of Fan Art

Since posting my last blog about my 13 Reasons Why fan art being used to sell phone cases without my knowledge I have had an interesting response - all of which I love to hear. There has been amusement, there has been anger but the response and discussion I'm most interested in is the matter of copyright and permission of use.

Quite validly the point was brought up of whether I had seeked out permission of use of the original reference photo to which I replied that I had not, solely because I had never intended on selling the work since I knew the original ideas didn't originate from me and therefore could make me liable in a court of law if I made any profit. To this I was informed to my surprise that technically any "derivative work" is technically an infringement of copyright and so even if I didn't sell the work I was still breaking the law. Shock horror! I'm a criminal!

I think part of me has always known this could be the case but chose to ignore it like so many others because I didn't see how I could be hurting anyone. For me I was just showing my love for something the best way I know how - Art. Never did I think I was claiming the right to ownership of ideas or stealing property. But it could be argued that I have.

So after this discussion I decided to start doing some more research on this subject and came across this video in which Josh Wattles, an employee of Deviant Art and former lawyer, talks about the ins and outs of Copyright law and how it effects fan art. It's quite a long video but if you have made fan art or still do I highly recommend you watch this.

In the video he goes through Copyright law and breaks it down to simple bullet points showing exactly how fan art breaks the law but also how it can be argued under certain circumstances that it doesn't under fair use and even free speech. He talks about how it shouldn't be wrong to express love for something and how strange it is that you could be brought into a court of law because of that love. 

While watching the video I found myself nodding along whole heartedly. I felt he understood where people like me were coming from. I think thr saving grace in all of this is that I have never sold any works that have derived from other people's work. In the past I had considered it after seeing that so many other people seemed to be making a living out of it without consequence but in the end it didn't sit right. My work always seemed too close to the primary source and hardly "transformative" as argument against copyright infringement might suggest. 

But even so there are fantastic pieces of work out there that otherwise wouldn't be there without fan artists. Fan art could be argued to be the best kind of free advertisement. I think that's where it can all get a bit blurry. Fan Artists create work that other fans want and the original creators are not filling that void. But at the same time fan artists are also building upon ideas that aren't their own. Youtuber, The Drizzly Druid, talks about this in her video "Selling Fan Art is Illegal" and explains it quite succinctly.

Going forward I think I will continue taking part in the fan art community but only for the sheer love of it and I definitely won't be seeking financial gain. However I think it is time for me to step up my game and stop being so reliant other people's ideas to spring board off of. It's time to get more creative and to start presenting my own ideas to the world. Time to get a little more brave and personal!

Hazel, xoxo

Stealing and Taking Credit for Artwork

While I was away on a trip to Copenhagen, Denmark, experiencing all the hygge it has to offer, I received a message on my Tumblr that my 13 Reasons Why watercolour piece was being used as a design on phone cases and sold across many sites. To my surprise my initial reaction was not of anger but more of amusement. But that might have been in part to do with the fact that I was on holiday and in a happy mood. I wasn't going to let anyone interrupt that.

To my knowledge this is the first time my artwork has been stolen and used elsewhere without credit being given to me, however I was aware that it was a possibility. My overall reach isn't the widest however my 13 Reasons Why painting is one that has gained a little more momentum on platforms like Tumblr, Pinterest and Instagram. I completely understand why someone would think it was a good idea to put it on a phone case. I'm actually quite curious to know what it looks like on a phone but don't worry I don't intent on buying it. What I don't understand is why I wasn't contacted in any shape or form and that someone felt that they could just steal something that I put time and effort into and take all the credit for it.

The original watercolour piece

I should feel more pissed about this than I do. I would have definitely been more pissed off if I had felt the piece had been 100% mine - more personal and an original idea. However since I feel like the idea for the painting doesn't fully belong to me - the painting is very similar to the original reference photograph with the only changes being made to the background - I don't feel completely robbed. I should probably adjust this way of thinking because the work is mine and is being used for profit that isn't going into my pocket. At the end of the day my permission to use the image should have been seeked out.

Since receiving the message about my artwork (which by the way was really nice of that person to let me know!) I feel like I have been following breadcrumbs to find the route of the problem. My first contact was with Woo Pop Culture who responded to me fairly quickly and told me to "be aware it [my artwork] is on Aliexpress and thousands of dropshippers will be using it!!" They said they would pull the design but as of the posting date of this blog the design is still up on Woo Pop Culture. Currently I am contacting the multiple sellers of the phone case on AliExpress and trying to get information as to who their suppliers are. So far the only response I have gotten is so sorry we didn't know it was stolen and that their supply is bought from a "China website" (I mean is it that hard to send me the link. It's like talking to a brick wall!).

I won't be wasting too much time hunting down the supplier though but part of me wants to find the route of this all. What this situation has done is got me thinking about artwork thievery and fakery online and why people do it. As an artist I make sure to always sign my work if I plan to upload it online just so that if it is stolen you can clearly see that it is mine. But this alone still doesn't deter people from taking your work.

Online and especially on Instagram there is a large art community but unfortunately within that community there is often fakery and thievery. Sadly I have heard of many instances where people have taken someone else's artwork and claim it as their own. Some even tamper with reference photos and claim that they drew the image when in fact they have only tweaked a couple of things on Photoshop. I could never understand wanting to take credit for something that isn't yours or lying about whether it was drawn. You might be surprised to know there are a few people on Instagram who have very large followings but yet are fakes. These people have taken peoples money for commissions and then don't deliver what they promise. It is really unfortunate that these people still get any sort of recognition when the real talented people seldom get any.

Going forward I'm not sure what actions I can take to prevent this from happening again. I really don't want to resort to having to put large ugly watermarks on my work. If anyone has any advice I would gladly hear it. At least this all gave me a good laugh but if there is a next time I doubt I'll be laughing as much.

Hazel, xoxo